INDIGENOUS TRANSLUCENCE

Previously Published 4 January 2012 –

Architects have always been inspired by buildings without architects (BWA); think barns, yurts, traditional Japanese houses, etc. This is because the purity of a structure driven solely by function, materials, comfort and economy is perennially refreshing. A BWA trend we are noticing in Otsego County involves freestanding structures assembled out of wood studs and translucent material. The photographed example always turns our heads, given the translucent roof and walls, clear structural support, and irregular geometry. This even sports a PV solar collector on the roof. Inspirational? You bet!

ENERGY EFFICIENCY BASICS

Previously Published 28 February 08

In a recent issue of The New Yorker, a British company, Tesco, has set out to reduce the carbon footprint of their global supermarket operations. The article discusses the incredible complexity of trying to determine, for example, the environmental burden of where you should buy your apples. In this instance, they determined that it was better for the planet if Tesco imported New Zealand apples rather than purchasing them 50 miles away. After a huge investment of time and money, they concluded that the three most important steps toward a green lifestyle is 1) insulate your house, 2)make sure you have insulated glazing in your windows and 3)increase the efficiency of your house boiler. This makes sense, given that buildings are the greatest energy hogs. And it is nice to see someone say that being green involves something other than lifestyle shopping choices.

Roofscape – Matera, Italy

TRADITIONAL OR MODERN?

Previously Published 10 December 07

In the recent issue of Architect Magazine, the editor questions the profession’s current focus, both in the media nad in the schools, on modernism. Yet, the vast majority of structures built in the US are traditional. So should the profession refocus itself more on traditional design, given that this is what the market demands? We find this article interesting given that our practice involves both traditional and modernist buildings. The building is either good, or it is not, and we hope that this is the first clarion call toward simply good design, whatever the style.