TRANSPARENT DRAWING

TRANSPARENT DRAWING 45-48 0

SPACETIME ANALYSIS 1

  A few pages ago, we introduced The Four Spacetimes as a way of understanding how Transparent Drawing fits into the history of Western Culture.  So let’s apply The Four Spacetimes to the drawing...

GREEK FRESCO 4THC BC 1

THE GREEK PERSPECTIVE

By all accounts, the Greeks were the first civilization to draw and paint their pictures according to the basic rules of liner perspective. Although we are typically taught that Representational Spacetime started in Florence,...

SPACETIME COORDINATE GRID 0

THE FOUR SPACETIMES

Drawing is a statement of time and space. To draw representationally, for example, there is a tacit acceptance that we will summarize one instant in time with a linear spatial construct.  To Draw Like...

CLASSICAL ARCHITECTURE 0

FORM GENERATION FROM CLASSICAL ARCHITECTURE

I generated the drawing above from the drawing below. With a 0.5 mm felt tip, I did a volumetric projection of the flying buttress image. I ended up taking liberties with the geometry. Yet...

EGYPTIAN WALL PAINTING 0

EGYPTIAN SPACETIME

What was it like for the Greeks to look back at the art of their predecessors, the Egyptians? “We must never forget that we look at Egyptian art with the mental set we have...

BEAUX ARTS 46-03 0

OBVIOUS FUTILITY

Lockhard writing in 1974: “The attempt to try to show all the aspects and qualities of any designed space or object in any single view is obviously futile.” p138. Futile?  This is Lockhard writing...

MS45-26 MOORE 0

ANTI-ILLUSIONIST TESSELLATION

Picasso painted from photographs.  His use of photographs was: “…a productive to-and-fro between a photo that reduces real volumes to their flat coordinates and a pictorial reinterpretation of that photographic record into anti-illusionist tessellation.” ...

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TIME OF SEEING

Transparent Drawing cannot exist without time. To understand completely a three dimensional form, a viewer must have, at minimum, at least two viewing points. The forms and objects that we are drawing are, for...

TRANSPARENT DRAWING 0

MICHANGELO AT THE MET

We saw the Michangelo drawing show at the MET. Turns out, he did not draw transparently. No surprise, really, given that he was the pinnacle of the Renaissance. The show forcefully demonstrates the seductive...

MING DYNASTY BAMBOO 0

DIGITAL INTEGRATION

Can an analogue drawing be part of a digital workflow?  Is an analogue drawing that becomes part of a digital workflow, still analogue?  Do we need a new term that defines an analogue drawing...

FORMLESS 0

REPRESENTATION AND MEANING

Buddhist theory or practice tells us that at the root of things, forms are empty.  That is to say, as one proceeds toward enlightenment, we work to separate the meaning, or content, from form. ...

SELFRIDGES DEPARTMENT STORE 0

BROKEN SECRETS

Selfridges department store in Birmingham, England, is iconic. The building is softly undulating. The facade is comprised of aluminum discs that reflect the ambient light. I ran across this article in The Birmingham Daily...

MICHAEL HEIZER 0

HEIZER TRANSPARENCY

I ran across a series of etchings by Michael Heizer.  When I first saw them, my thought was, well, this is at least moving toward transparency.  There is an overlapping of shapes.  And it...

HOUSE DRESS 0

HEROIC LINES

An image found on the web.  A few heroic lines on the paper. A quick wash or two. A resolved, unique and authentic form. That really is at the heart of Transparent Drawing. A...

TRANSPARENT DRAWING 0

THE SECRET PHOTOGRAPHER

That should never be part of the title of a book about Le Corbusier. But nevertheless, there it is. The full title, Le Corbusier, The Secret Photographer, was published in 2013. In 2012 at...

TRANSPARENT DRAWING 0

THE ORGANISM AND THE OBJECT

The basis of all architecture is drawing. “Drawing is a form of probing.  And the first generic impulse to draw derives from the human need to search, to plot points, to place things and...

TRANSPARENT DRAWING 0

ONE LINE ONE WASH

I think I have achieved enlightenment. My drawing was done with one wash, and one line.  The pencil went once to the paper and drew the line.  The brush went once to the paper...

TRANSPARENT DRAWING 1

TWO WASH

And now for something completely different.  What are the minimum number of washes that you can use and still evoke space and enclosure? I set off in this new direction as the result of...

TRANSPARENT DRAWING 0

DRAW FOR TRUTH

We draw what is right, not what seems right.  We draw for truth. Panofsky tells us that there were three components of subjectivity which were codified in the Renaissance representational mindset: subjective emotions, foreshortening,...

TRANSPARENT DRAWING 0

KNOWLEDGE AND DATA

Tom Gruber is head of advanced development for Siri at Apple. He has been at the vanguard of AI (Artificial Intelligence) from the very first. And he has specifically been interested in speech recognition...

TRANSPARENT DRAWING 0

REPRESENTATION AND WESTERN CONQUEST

  The perspective, as it blossomed forth in the Renaissance, worked with newfound rational thinking.  Suddenly the world could be explained with the idealized constructs of math, science, logic and the linear perspective.  With...

4TH DIMENSION 0

COMBINATORY CREATIVITY

Let’s imagine a fantasy class which gives equal weight to science and art.   The design concepts behind Starry Night by van Gogh are just as important as the molecular arrangement of sulphur.  The prime...