REASON OF OBJECTS
Most of us would agree that our concept of representational drawing is “a mere feeble analogue of a reality which overflows it in every direction. “ Drawing is “an absolute positing of that which,...
Most of us would agree that our concept of representational drawing is “a mere feeble analogue of a reality which overflows it in every direction. “ Drawing is “an absolute positing of that which,...
The entire trajectory of modernism, it turns out, is nothing more than revealing what cannot be seen. “One of the greatest innovations in twentieth-century drawings involves the degree to which they make visible things...
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